THEATRE IN THE WORLD

Commedia dell’Arte

with Dr Chiara D'Anna

Masks, Movement & Improvisation

21 lessons · 3 hrs 33 min · 7 modules

What you’ll take away

By the end of this course

  • Understand Commedia dell’Arte in its historical and cultural context

    Explore how Commedia emerged, developed and reflected the social, political and economic world of Renaissance Italy.

  • Recognise and interpret its key stock characters

    Understand the archetypes, relationships and driving forces behind characters including Arlecchino, Pantalone, Il Dottore, the Lovers and the Zanni.

  • Apply physical and vocal performance conventions

    Explore how movement, gesture, rhythm, voice and characterisation bring Commedia’s distinctive performance style to life.

  • Work practically with masks and performance techniques

    Develop an understanding of mask work, audience interaction, comic timing, entrances, exits and other key stage conventions.

  • Explore canovacci, lazzi and improvisation

    Understand how structure, rehearsed material and improvisation combine to create dynamic Commedia performances.

  • Bring Commedia into contemporary practice

    Use rehearsal, ensemble work and creative adaptation to explore how Commedia can inform performance, devising and teaching today.

About this course

What this course covers

Discover Commedia dell’Arte from the inside out with performer, director and educator Dr Chiara D’Anna. Combining expert insight, practical demonstrations and student workshops, this course takes you from the historical and cultural origins of Commedia to the distinctive performance techniques that have made it one of theatre’s most enduring traditions.

Explore its iconic stock characters and discover how physicality, voice, rhythm, status and masks bring each archetype to life. Develop your understanding of direct audience connection, comic timing, improvisation, lazzi and traditional scenarios, before moving into rehearsal approaches, ensemble work and creative adaptation for contemporary audiences.

Alongside the core lessons, you’ll have access to bonus practical workshops, character demonstrations, downloadable character sheets, a sample canovaccio and further research resources. Whether you are teaching, studying or performing Commedia, you’ll leave with a deeper understanding of the tradition and a practical toolkit for bringing it to life.

Before you enrol

Everything you need to know before you begin

Designed for

  • Theatre students exploring Commedia dell’Arte
  • Theatre teachers bringing Commedia into the classroom
  • Performers and theatre-makers developing physical performance skills
  • Educators exploring theatre traditions in cultural context
  • Anyone interested in physical theatre, comedy and ensemble practice

How you’ll learn

  • Expert guidance from an experienced Commedia practitioner
  • Practical demonstrations of physical and vocal techniques
  • Student workshops bringing techniques to life
  • Guided exploration of masks, characters and performance conventions
  • Practical approaches to improvisation, lazzi and ensemble work
  • Ideas for adapting Commedia for contemporary performance

Course roadmap

How this course is structured

7 modules · 21 lessons · 3 hrs 33 min · 2 free previews

Module onePrologue1 lesson · 6 min
  • Welcome & Introduction6 min
Module twoModule One - Introduction to Commedia dell’Arte3 lessons · 33 min
  • Lesson 1: History of Commedia dell’ArteFree preview15 min
  • Lesson 2: Commedia in SocietyFree preview8 min
  • Lesson 3: Theatre Spaces10 min
Module threeModule Two - Key Performance Conventions5 lessons · 1 hr 38 min
  • Lesson 1: Introduction to Stock Characters23 min
  • Lesson 2: Physical Conventions46 min
  • Lesson 3: Vocal Conventions19 min
  • Student Handout: Character Sheets
  • Bonus Material: Commedia Warm-Up Workshop10 min
Module fourModule Three - Practical Approaches to Performing in Commedia3 lessons · 28 min
  • Lesson 1: Performance Conventions and Techniques8 min
  • Lesson 2: Working With Masks13 min
  • Bonus Material: Archetypes Demonstration7 min
Module fiveModule Four - Traditional Performance Material3 lessons · 25 min
  • Lesson 1: The Zibaldone, Canovacci, Lazzi, and Improvisation15 min
  • Lesson 2: Traditional Scenarios and Lazzi10 min
  • Lesson 2 Resource: A Sample Three-Act Canovaccio (PDF)
Module sixModule Five - Rehearsal, Ensemble, and Creative Adaptation3 lessons · 18 min
  • Lesson 1: Rehearsal Techniques and Ensemble Dynamics5 min
  • Lesson 2: Creativity, Adaptation, and Contemporary Relevance7 min
  • Lesson 3: Commedia’s Influence on Theatre and Media6 min
Module sevenEpilogue3 lessons · 5 min
  • Course Wrap-Up: Reflection and Research Tips5 min
  • About the Presenter
  • List of Sources

Learn from the experts

About your presenter

  • Dr Chiara D'Anna

    Performer, director and educator

    Chiara is a performer, director and educator with over two decades of international experience in physical theatre, movement training and devised performance. She holds a PhD focused on the legacy of Commedia dell’Arte in contemporary devised theatre and has taught at institutions including RADA, Goldsmiths University of London and the Accademia dell’Arte in Italy. Her practice combines rigorous research with practical, ensemble-based approaches to Commedia, movement and physical storytelling.

Before you buy

Frequently asked questions

Do I need previous experience of Commedia dell’Arte?

No. The course builds from the foundations of Commedia before moving into characters, physical and vocal conventions, masks, improvisation, lazzi, rehearsal and contemporary adaptation. It is suitable for those encountering the form for the first time as well as those looking to deepen existing practice.

Is this course for teachers or students?

Both. The course is designed for theatre students, teachers and practitioners. Students can use it to develop practical and contextual understanding, while teachers can draw directly on the demonstrations, workshops and approaches for their own classroom practice.

Is the course practical or mainly theoretical?

Both. Chiara combines historical and cultural context with practical approaches to physicality, voice, character, masks, improvisation and ensemble performance. Workshop footage with students from the American School of The Hague shows many of these techniques being explored in practice.

What additional resources are included with the course?

Alongside the main lessons, you’ll receive a bonus practical warm-up workshop, a character demonstration video with Chiara embodying the key archetypes, downloadable character sheets, a sample canovaccio for analysis, improvisation or performance, and a curated academic reading list for further research.

ISTA Encore

Everything you need to know

Why do I need a free ISTA account?

Encore lives inside STAGE, ISTA’s online platform. A free account lets you open any course, watch its free preview lessons where they’re offered, and keeps everything you buy together on your ISTA profile. It takes a minute and there’s no charge to join.

How long do I have access to a course if I buy it individually?

For as long as the course stays on Encore, so you can come back to it whenever you like. ISTA may retire a course that becomes outdated or no longer meets our standards; where we can, we’ll give advance notice and time to finish it first.

What are the All-Access Passes?

Each All-Access Pass unlocks the whole Encore library for 12 months, including every new release during that year. There are three: the Educator Pass for one educator (£300 a year), the Class Pass for one educator and 30 students (£375 a year, with Ensemble or Company membership), and the Extended Class Pass for whole departments (from £400 a year, with Company membership). Changes to the library don’t affect the price of your pass.

Do I need to be an ISTA member to use Encore?

No. Anyone can buy single courses, or the Educator Pass for £300 a year, with a free ISTA account. Membership is only needed for the Class Pass and the Extended Class Pass, which bring Encore to your students.

I’m an ISTA member. What do I get?

Ensemble and Company members pay £250 a year for the Educator Pass, saving £50, and can add a Class Pass for their students. Company members can also build an Extended Class Pass for their department. Your pass sits on your membership, so you renew both together on one invoice. Solo members can add the Educator Pass at £300 to the same renewal.

When does my pass start and renew?

Passes can be bought at any time of year, and access begins straight away, whether you pay by card or by invoice. Invoices are due within 30 days. Members pay their member price, prorated by day to their next membership renewal; after that, pass and membership renew together each year on one invoice. If you join ISTA and buy a pass at the same time, both start and renew on the same date. Non-members pay £300 a year for the Educator Pass, renewing each year from the purchase date. Buying a pass never changes a membership renewal date.

I have an Educator Pass. What happens if I join ISTA later?

Any unused value from your pass is credited towards your new subscription, and your pass moves to your membership renewal date. From then on your membership tier sets your Encore price: £250 a year with Ensemble or Company.

Can I add or remove seats during the year?

Extra educator and student seats can be added at any time, prorated to your existing renewal date. Reductions take effect at your next renewal, with no mid-term refunds.

What happens to my pass if I change or leave my membership?

Upgrading starts straight away: the time left on your current plan comes off the price, and an Educator Pass moves to your new member price, with its unused time credited too. If you move to a tier that doesn’t include your pass, it stays active until the end of the paid term and isn’t renewed. If you leave, an Educator Pass can continue at the standard rate of £300 a year from your next renewal date; Class Passes and Extended Class Passes need eligible membership, so they stay active to the end of the paid membership term and aren’t renewed.

How does the Extended Class Pass work?

It’s a Class Pass with more seats, for Company members. Add educators at £75 a year each and students in blocks of 10 at £25 a year, and pay only for what your school needs. For example, 3 educators and 60 students cost £600 a year.

Who can use the student seats on a Class Pass?

Students with an email address on the same domain as their teacher’s, each signing in with their own free ISTA account. You can reassign or reset a seat at any time, so seats move on when a class changes.

Are Encore courses only for International Baccalaureate programmes?

No. They support IB programmes well, and they’re just as useful for AP, BTEC, A level and a wide range of other theatre and arts courses.

Will I receive a certificate?

Yes. Every course includes a personalised ISTA Encore Certificate of Completion for your professional development records.

Are the courses for teachers or students?

Both. Teachers can take a course themselves and then use its lesson plans, presentations and resources with their classes, or students can explore a practitioner or tradition independently.

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