Commedia dell’Arte
Masks, Movement & Improvisation
21 lessons · 3 hrs 33 min · 7 modules
What you’ll take away
By the end of this course
Understand Commedia dell’Arte in its historical and cultural context
Explore how Commedia emerged, developed and reflected the social, political and economic world of Renaissance Italy.
Recognise and interpret its key stock characters
Understand the archetypes, relationships and driving forces behind characters including Arlecchino, Pantalone, Il Dottore, the Lovers and the Zanni.
Apply physical and vocal performance conventions
Explore how movement, gesture, rhythm, voice and characterisation bring Commedia’s distinctive performance style to life.
Work practically with masks and performance techniques
Develop an understanding of mask work, audience interaction, comic timing, entrances, exits and other key stage conventions.
Explore canovacci, lazzi and improvisation
Understand how structure, rehearsed material and improvisation combine to create dynamic Commedia performances.
Bring Commedia into contemporary practice
Use rehearsal, ensemble work and creative adaptation to explore how Commedia can inform performance, devising and teaching today.
About this course
What this course covers
Discover Commedia dell’Arte from the inside out with performer, director and educator Dr Chiara D’Anna. Combining expert insight, practical demonstrations and student workshops, this course takes you from the historical and cultural origins of Commedia to the distinctive performance techniques that have made it one of theatre’s most enduring traditions.
Explore its iconic stock characters and discover how physicality, voice, rhythm, status and masks bring each archetype to life. Develop your understanding of direct audience connection, comic timing, improvisation, lazzi and traditional scenarios, before moving into rehearsal approaches, ensemble work and creative adaptation for contemporary audiences.
Alongside the core lessons, you’ll have access to bonus practical workshops, character demonstrations, downloadable character sheets, a sample canovaccio and further research resources. Whether you are teaching, studying or performing Commedia, you’ll leave with a deeper understanding of the tradition and a practical toolkit for bringing it to life.
Before you enrol
Everything you need to know before you begin
Designed for
- Theatre students exploring Commedia dell’Arte
- Theatre teachers bringing Commedia into the classroom
- Performers and theatre-makers developing physical performance skills
- Educators exploring theatre traditions in cultural context
- Anyone interested in physical theatre, comedy and ensemble practice
How you’ll learn
- Expert guidance from an experienced Commedia practitioner
- Practical demonstrations of physical and vocal techniques
- Student workshops bringing techniques to life
- Guided exploration of masks, characters and performance conventions
- Practical approaches to improvisation, lazzi and ensemble work
- Ideas for adapting Commedia for contemporary performance
Course roadmap
How this course is structured
7 modules · 21 lessons · 3 hrs 33 min · 2 free previews
Module onePrologue1 lesson · 6 min
- Welcome & Introduction6 min
Module twoModule One - Introduction to Commedia dell’Arte3 lessons · 33 min
- Lesson 1: History of Commedia dell’ArteFree preview15 min
- Lesson 2: Commedia in SocietyFree preview8 min
- Lesson 3: Theatre Spaces10 min
Module threeModule Two - Key Performance Conventions5 lessons · 1 hr 38 min
- Lesson 1: Introduction to Stock Characters23 min
- Lesson 2: Physical Conventions46 min
- Lesson 3: Vocal Conventions19 min
- Student Handout: Character Sheets
- Bonus Material: Commedia Warm-Up Workshop10 min
Module fourModule Three - Practical Approaches to Performing in Commedia3 lessons · 28 min
- Lesson 1: Performance Conventions and Techniques8 min
- Lesson 2: Working With Masks13 min
- Bonus Material: Archetypes Demonstration7 min
Module fiveModule Four - Traditional Performance Material3 lessons · 25 min
- Lesson 1: The Zibaldone, Canovacci, Lazzi, and Improvisation15 min
- Lesson 2: Traditional Scenarios and Lazzi10 min
- Lesson 2 Resource: A Sample Three-Act Canovaccio (PDF)
Module sixModule Five - Rehearsal, Ensemble, and Creative Adaptation3 lessons · 18 min
- Lesson 1: Rehearsal Techniques and Ensemble Dynamics5 min
- Lesson 2: Creativity, Adaptation, and Contemporary Relevance7 min
- Lesson 3: Commedia’s Influence on Theatre and Media6 min
Module sevenEpilogue3 lessons · 5 min
- Course Wrap-Up: Reflection and Research Tips5 min
- About the Presenter
- List of Sources
Learn from the experts
About your presenter

Dr Chiara D'Anna
Performer, director and educator
Chiara is a performer, director and educator with over two decades of international experience in physical theatre, movement training and devised performance. She holds a PhD focused on the legacy of Commedia dell’Arte in contemporary devised theatre and has taught at institutions including RADA, Goldsmiths University of London and the Accademia dell’Arte in Italy. Her practice combines rigorous research with practical, ensemble-based approaches to Commedia, movement and physical storytelling.
Before you buy
Frequently asked questions
Do I need previous experience of Commedia dell’Arte?
No. The course builds from the foundations of Commedia before moving into characters, physical and vocal conventions, masks, improvisation, lazzi, rehearsal and contemporary adaptation. It is suitable for those encountering the form for the first time as well as those looking to deepen existing practice.
Is this course for teachers or students?
Both. The course is designed for theatre students, teachers and practitioners. Students can use it to develop practical and contextual understanding, while teachers can draw directly on the demonstrations, workshops and approaches for their own classroom practice.
Is the course practical or mainly theoretical?
Both. Chiara combines historical and cultural context with practical approaches to physicality, voice, character, masks, improvisation and ensemble performance. Workshop footage with students from the American School of The Hague shows many of these techniques being explored in practice.
What additional resources are included with the course?
Alongside the main lessons, you’ll receive a bonus practical warm-up workshop, a character demonstration video with Chiara embodying the key archetypes, downloadable character sheets, a sample canovaccio for analysis, improvisation or performance, and a curated academic reading list for further research.
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